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Last Call on bees wax
Taken in London, UK, 2026
Created on archival cotton paper, this work combines pigment-based inks with hand-applied finishes, making each piece individually crafted and unique.
The surface is finished with a thin layer of encaustic beeswax. Rather than creating a high-gloss or reflective surface, the wax gives the work a soft satin sheen, subtly deepening the darker tones and adding a quiet sense of depth to the layered image. The finish becomes part of the physical character of the work, allowing the photographic image and material surface to exist together.
Last Call explores a fleeting moment of transition within the city. London appears suspended between movement and stillness, with forms and traces of light dissolving into one another. The image suggests the moment before departure — when a place is still present, but already beginning to recede. Through layered exposure and softened detail, the familiar becomes uncertain, existing somewhere between observation, memory and anticipation.
Framed in deep matte black using Lion moulding, the work measures 62 × 52 cm and is designed to be displayed without glass, allowing the tactile surface and subtle satin finish of the encaustic wax to remain visible.
Each work is supplied with a signed Certificate of Authenticity and an embossed signature mark.
Editions and size:
62 × 52 cm — Edition of 6 handcrafted originals.
39.5 × 47.5 cm — Edition of 9 handcrafted originals, each unique.
The dimensions of the artwork are:
105cm x 73cm.
Handcrafted on pure cotton, handmade paper.
Each sheet of paper is individually handmade, then coated with archival, acid-free professional ingredients, textured, and varnished by hand, making the artwork completely unique.
Taken in 2025, London
Created on pure cotton handmade paper, this work is sculpted through layers of archival emulsions and textures applied by hand, forming a tactile surface where image and material merge. Pigment-based inks and hand-applied finishes make each piece one of a kind. Produced in two distinct sizes, each edition is limited and individually crafted, with no two works identical. Developed over more than two years, this technique allows the work to be displayed without glass, as it is varnished for both physical and UV protection. If preferred, gallery-standard non-reflective glass may be used.
Bellwave draws from the movement leading toward St Paul’s Cathedral, where light and structure settle into a measured rhythm. The landmark becomes less fixed, held between motion and stillness, with the surface carrying that shift through its layered texture.
Framed in deep matte black using Lion moulding, the larger version measures 62 × 52 cm, while the smaller version measures 39.5 × 47.5 cm. Both are designed to be displayed without glass, with varnished surfaces that protect and enhance their layered depth. Each work is supplied with a signed Certificate of Authenticity and an embossed signature mark.
Editions and sizes:
62 × 52 cm — edition of 6 handcrafted originals, each unique
39.5 × 47.5 cm — edition of 9 handcrafted originals, each unique
Frame: Deep matte black, no glass
2025
New York
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